Sometimes a break from writing can be helpful. Sometimes not so much.
Happy Wednesday, everybody!
Sometimes a break from writing can be helpful. Sometimes not so much.
Happy Wednesday, everybody!
While waiting for all the snow to melt outside from the blizzard last weekend, I was keeping busy with practicing watercolors. One of my goals this year is to improve my drawing and painting, as well as to develop a unique art style, so I’ve been trying to hold fast to that goal. So far it’s been very fun.
For some reason I’ve been interested in “space” stuff lately, like galaxies, astronauts, and fantasy space-travel. I’ve always loved looking up at the night sky, feeling incredibly small, and wondering what it would be like to actually be in outer space. Becoming an astronaut in reality is not something I’m really cut out for, though, so the next best thing, I think, is creating the dream through art. 🙂
So I created these two characters, Michael and GG, who travel through space as explorers, landing on alien planets and discovering new galaxies.
Michael A. Earnhardt is the name of the astronaut, and GG, his little robot-companion who keeps him company during the often-lonely journey through deep space. Together they have all kinds of adventures.
I think it’s the romantic nature of “exploration” in general that draws me to this particular story. I like imagining the vastness of space and the tininess of this crew, journeying across light-years in a cozy little ship. That’s what I’m trying to convey through these works, so that others can maybe experience the same feelings as I do.
I’ve been trying to experiment and improve lately in my color choices. I researched “color theory” online a bit, and I’m still not entirely sure what it means, but I’m attempting to think of color in terms of lighting- as in how a light source in affects the whole environment in the same way, changing its colors accordingly. It’s still a struggle to pick colors that go together, but I think practicing is definitely helping a bit.
I’m not really sure where this project is going at the moment. So far it’s just a few random scenes, but I’m thinking about maybe making a few comic pages or experimenting digitally with these two in the future.
Finally, finally, finally, Solstice, my graphic novel, has been published!! I pushed the self-publish button today, breathing a huge sigh of relief afterwards. This project was challenging in many ways, but I’m so happy with the outcome and am excited to share it with the world.
Here’s what the cover looks like:
The book is 75 pages total, with 67 pages of original black-and-white artwork done in ink pen. I created the cover art with a computer art program, which I also used to add in the book’s text.
Here’s the blurb:
Somewhere deep in the wilderness, a boy named Fox awakens with no memory of who he is. Upon discovering a group of children surviving in the forest, he is swept into the search for a missing boy. But one question still lingers in his mind: who am I?
Because it’s only one day after this year’s summer solstice, I thought I’d share a teaser. Here’s the first ten pages:
(click to enlarge)
If you’d like to read the rest, you can buy the book on Lulu.com. 😉
I think Lulu was the right choice for this project, however it’s going to take a while for it to be available on Amazon.com. I’ll let you know when it does, though.
Thanks so much for sticking around, guys. Your support has been amazing. Now that I’ve completed this project I can get back into blogging regularly and start some new fun projects! I’m so excited for what the future holds.
Finally, after months of working on my graphic novel, I have completed its final pages. The artwork needs no further editing, and the dialogue has been put in. I ordered a proof copy, received it, and am making adjustments at the moment in order to self publish by next week.
My blog, entitled Dreams and Letters, was originally made to document my process as I attempted to complete a graphic novel by May. It was supposed to be more of a scrapbook of ideas for me, a way of saving memories for my future self and maybe inspiring someone out there along the way. I am glad to say that I was extremely surprised at what blogging had in store.
I didn’t realize upon my blog’s start in February what a supportive community of people were out there, motivating one another to achieve their dreams as if they were already friends. All I can say is thank you to everyone who supported me along the way. Although I have been neglecting my blog during the past few weeks, when I did post you were all quick to give me a lot of much-needed motivation. You guys are why I love blogging, and will stick with my blog for years to come.
Here’s a little timelapse video of me drawing a spread from the book:
Hi everyone! I haven’t had much time to write blog posts recently because I’ve been hard at work at completing my graphic novel. By which I mean flailing wildly about with a crazed look in my sleepless eyes, murmuring to myself, “I need to get back to work!”.
It’s been a wild ride so far. I’m happy to say that I have finished drawing about half of the book’s total pages. Here’s a picture of some of them laid out on the floor:
My set deadline is the middle of next week, when I will hit the glorious “self-publish” button and breathe a huge sigh of relief. The only problem is those 35 or so pages waiting to be drawn…
Well, I’d better get back to work! 😉
As I work on my first graphic novel, I thought I’d share the process I go through to create each page from start to finish.
I’ve chosen to create traditional ink drawings and have them stay black and white because I feel it will tell the story better. Everyone has a different way of doing things depending on the project, time frame, materials available, and personal preference.
I’m using 9×12 smooth Bristol. It works well with inks and is sturdy. I believe that if you’re going to put in a lot of time and effort into your artwork, use a paper that lasts. A rule of thumb is to create artwork that is larger than it will appear in the book.
I like regular HB pencils, but I’ve seen some artists use non-photo blue pencils, which are supposed to disappear on the artwork when scanned.
You can use anything under the sun. My favorites are papermate flair pens and Microns.
I find a sketchbook extremely useful, even if I have a good idea of what a page is going to look like. You can test out pens and different drawing techniques in a no-pressure way. It also doesn’t have to be a sketchbook. Any piece of paper will do.
Going through this process, I find this especially useful. Sometimes I’ll try to draw pages while stressed-out or worried and it ends up looking forced. I’ll often get really frustrated with drawing a certain thing (like water) and have to remember to take a break.
I first make a rough sketch (or five) of the page layout in a sketchbook or random piece of paper. It helps to think about how the two pages will look side-by-side.
Then I make a more refined drawing on the actual page. I usually don’t include all of the details that will go into the finished artwork. The level of detail I put into this stage depends on how developed the idea of the page is, and how difficult it will be to ink. Although it looks more finished than the thumbnail sketch, there is still time for changes to be made.
Here’s a tip: don’t press too hard with the pencil if you’re going to be inking over it, because the lines will be too dark and won’t erase well.
This page went through some changes even after I started inking.
For this page I had a pretty good idea of what I wanted it to look like, so the penciling was limited.
This step is necessary for publishing and commercial printing. Also, I’m going to add text bubbles on some pages using a computer program.
This is what the pages look like right after scanning them. As you can see, the darkness of the inks got a little washed out. Also, the border is not aligned.
Tip: If you’re going to print your graphics in black and white, scan them at a high dpi so that they stay crisp.
I crop the images until just before the edge of the panels.
Then I open up each picture in a photo-editing program. Using high contrast makes the ink darker and page brighter. I try to get the white of the image as light as possible so that it practically disappears.
Tadaa! This is the final product.
If you are self-publishing, there will be a specific page format for you to use in order to print your book. I’m using Lulu, which prefers PDF files, so I format the pages with Microsoft Publisher and then convert the file to PDF. I’ll share more on formatting and self-publishing later.
That’s it. I hope this gives a little insight into my process without being too straightforward. I don’t have much experience with illustration in general, but I’m learning as I go along and it’s been so much fun so far. 🙂
I’ve finally, finally started actual artwork for Solstice. The entire project is behind schedule (like always) but in some ways I feel like I’ve made leaps and bounds. For one thing, I edited the story and fixed basically every plot hole that could arise.
I can’t say that’s true for any other project I’ve ever done.
Of course, I didn’t do it alone. I had great help with editing and talked about the story, its problems, and solutions over a three day period. Now the story is a sparkling version of its former self, and I couldn’t be happier.
Now, onto the artwork!
I’ve had to do a bit of research first on the size of the book, its proportions, and shipping costs before starting to draw. I’m using Createspace, a print-on-demand publisher, and will go into further detail about the process of self-publishing later. One problem to tackle at a time.
Speaking of, I hadn’t realized how much math goes into this:
I’m not a fan of math or numbers, but it’s necessary for my project, unfortunately. I needed to measure out the book page size (7 x 10) and compare it to my artwork page size (9 x 12). Then I had to choose how wide the margins should be in the book and figure out how wide that would make the artwork margins. Yep, it’s a lot of work. Hopefully I’ll only need to do it once or twice.
I’m using 9 x 12 smooth Bristol board for the ink illustrations. Bristol’s usually pretty pricey but I randomly found a discount at Walmart. 🙂
Anyway, here’s the first page, which I’ve inked:
Because I’ve chosen to create the line art traditionally rather than digitally, I need to scan each page onto the computer in order to color it. Then I’ll add speech bubbles and page numbers. It seems like more work but I believe that in the end it’ll actually be faster and easier than digitally drawing.
I think I also like the idea of being able to hold the artwork in my hands rather than only seeing it through a computer screen. Plus, its fun to draw with different kinds of pens!
My plan for the coming week is to draw as many pages as I possibly can so that I have ample time for coloring and formatting, which is scheduled for the week after. That’s okay, I wasn’t planning on sleeping anyway.
I can’t believe how long it’s been since my last blog post. I’ve been super busy lately with the graphic novel, outside work, and general life. Not to mention a whole barrage of new distractions- tumblr, instagram, etc. I really need to start putting my phone away.
Anyway, many things have happened since my last post:
Nope, it’s not finished yet. I have to get there soon because I’m really running out of time. Being a procrastination god does have its faults.
Yippee! That makes me really happy. I can’t believe even one person wants to hear me rattle on about my current obsession. Thanks. I really appreciate it. 🙂
It was beautiful but cold. I’ve decided that when I retire I’ll buy a tiny cottage near a lighthouse there, wear shoes with holes in them and a sunhat, and paint all day on the beach, my untamed white hair blowing in the breeze.
I randomly fell in love with folk music (by Jose Gonzalez and Syd Matters) and now I quest to learn how to play it. It’s actually really relaxing. The first song I learned was Obstacles by Syd Matters.
There you have it- random craziness at it’s best. There’ll be more next time. 😀
You know that big goal I set for myself- to finish thumbnail sketches for Solstice? Well, it didn’t quite work out (surprise, surprise). Normally I’d be pretty disappointed, but in this case I’m still happy because I’m making progress. And I consider any progress at all to be a great thing.
So far I have sketched 34 pages of thumbnails. It seems like a lot but I think I have a long way to go considering I’m not even through half of the script.
Yes, it’s a mini binder. Shhh- I know I have a problem. It’s just so cute and easy to organize. I even found these little plastic page holder things that perfectly fit my half-page sketches. It’s great because I can rearrange pages, re-edit them, and see how the book is going to read.
A couple of surprises I hadn’t accounted for made it harder to fulfill my goal of completing all of the thumbnail sketches for Solstice by yesterday (which I think was pretty insane to begin with):
My goal for now is to just keep moving. 🙂 Hopefully next time I’ll have a more exciting update.
In the meantime, please enjoy some random nature sketches XD :
Yay! I just finished writing and typing up the script for Solstice! It was challenging but I finally sat down and banged it out on my mini legal pad.
I’m so excited because I can see the story coming together and I can imagine what the finished book will be like.
The script is 13 pages and about 1600 words long. It doesn’t seem like a lot, especially when compared to that of a written novel, but I’m pretty sure that it will become about 60-90 pages of illustration. The book isn’t going to be text heavy, so I think that number makes sense. There will be a couple scenes that don’t use any text.
I don’t know about you but I love printing out writing and holding the stack of paper in my hands. It’s a nice feeling, especially if you’ve been working digitally for a while.
The script is not exactly finished, as I need to edit and fix and add things, so I’ll just call it draft one. However, I don’t know how long I can edit if I want to be done by mid-May. I’ll have to speed up the process quite a bit in order to have a lot of time for creating art. From my experimental pages I can already tell that it’s going to be time-intensive.
After my quick edit I’ll finish sketching thumbnail pages and working out the visual side of the story, which I’m really excited for because I love drawing.
Speaking of, here’s some random doodles of nature:
This project has been really fun so far and I’m excited for the challenges coming up next. In the spirit of challenges, I’m setting a lofty goal of finishing thumbnail sketches by the end of Saturday the 28th. I have some time off so I think there is a chance that it could happen (if I get my lazy self off the couch).